YOU MUST FEEL THE DRIVE and TAKE A CHANCE BIZZY & Co.

Refreshed Links, Some new mixes added too

I've often said that 1983 was my favorite year for Italo Disco. 
uptown instrumental edit
BEN LIEBRAND'S SUPER LONG REMIX
cat instrumental
Frisco edit
FEEL THE DRIVE IS ITALO DISCO LEGENDARY

I had the fortune of being in the thick of it all with many many nights out at Roman clubs.

Feel the Drive by Doctor's Cat was also a big radio record.  A. Martinelli the writer, producer and mixer of this track has a prolific history in the genre.  As a matter of fact Aldo Michele Martinelli was involved with Cat Gang, Marinelli, Moon Ray, Raggio di Luna and Superbeat to name a few.

In this zip you can enjoy both sides of the 12" in .wav.

no bizzy import version
My favorite Martinelli is probably his collaboration with Tony Carrasco with Bizzy and Company's Take a Chance.
Kizzy
 This brilliant number was used as the theme for Amanda Lear's recent RAI t.v. show Cocktail D'amour.

original version by Material featuring Nona Hendryx

TAKE A CHANCE MR. FLAGIO ITALO DISCO BRILLIANCE

original version
Take a Chance is one of those rare italo disco records in that it's actually a cover.  The original was an album cut by Material from their l.p. One Down featuring Nona Hendryx of Labelle.  The remake is very different and in my estimation much improved.
Flagio stands for Flavio Giorgio, Flavio Vidulich, Giorgio Bacco and one of the most brilliant italo disco gems of 1983, TAKE A CHANCE.  I have such a passion for vocoder.  Take a Chance wrote the book on how to use it correctly.  The bassline is hot enough to make Nile Rodgers proud.  A FLAGIO ZIP

It was used on Amanda Lear's RAI Italia t.v. show Cocktail D'amour from the early 2000's.  It was actually on the credits like a theme song.

Amanda Lear embodies DISCO

reprinted from the excellent website Dangerous Minds

AN AMANDA ZIP

AMANDA LEAR: 70S DISCO DIVA, FASHION MODEL, TV STAR AND SALVADOR DALI’S TRANSSEXUAL MUSE

Model, painter, disco diva, TV personality and the absolute fiercest of the pioneering transsexuals (along with Candy Darling), Amanda Lear was born Alain Maurice Louis René Tap in Saigon, 1939. Or it could have been Paris. Or Hong Kong. The year might have been 1941, 1945 or as she now claims 1950. There is much competing information about her parents, none of it conclusive. In general, not much is known for sure about the early life of Amanda Lear and she would very much like to keep it that way. She claims to have been educated in Switzerland and she eventually made her way to Paris in 1959, taking the stage name “Peki d’Oslo,” performing as a stripper at the notorious drag bar, Le Carrousel.

Amanda Lear’s mid-60s model card.

The story goes that the gangly, yet exotic Eurasian beauty Peki had a nose job and sex change in Casablanca paid for by none other than the Surrealist master Salvador Dali, who frequented Le Carrousel, in 1963. Amanda, as she is now known, then makes her way to London to become a part of the swinging Chelsea set where she is rumored to have had a relationship with Rolling Stone Brian Jones. She models for Yves St. Laurent and Paco Rabanne and is a constant muse for the Divine Dali, but her career is held back by rumors that she was born a man or was a hermaphrodite. 

‘For Your Pleasure’ cover

Roxy Music frontman Bryan Ferry saw Lear on the runway during an Ossie Clark fashion show and invited her to be the model for Roxy’s For Your Pleasure album cover, walking a black panther on a leash. They were briefly engaged and that image has become iconic. Lear also had a yearlong affair with David Bowie who serenaded her with “Sorrow” in his “1980 Floor Show” (broadcast on The Midnight Special in 1974). Bowie helped Lear launch her musical career and by the late 1970s she had become a bestselling disco singer and television personality in Europe with hits like “Follow Me,” “Queen of Chinatown” and “I Am a Photograph.” 

The David Bailey photograph of Lear that appeared in the infamous 1971 Dali-edited issue of French Vogue

Amanda Lear’s autobiography, My Life With Dali came out in 1985 and it begins when she would have been approximately 24 or 25 years of age. Almost no mention whatsoever is made of her life before arriving in London in 1965. When Dali biographer Ian Gibson confronted her on camera about the gender of her birth in his The Fame and Shame of Salvador Dali TV documentary, Lear angrily—and not at all convincingly—stonewalled him. She has always vehemently denied that she was a transsexual despite it being a well-established fact. She even posed nude for Playboy and several other men’s magazines and often sunbathed naked on beaches to dispel the rumors. All this really proved was that she had a kickin’ bod, but if you ask me, I think it’s sad that she choses to keep up this pretense. She should be rightfully celebrated for her biggest accomplishment in life—ironically, being true to herself—but apparently Amanda Lear just doesn’t see it that way.

Amanda Lear vehemently denies having had a sex change on German television 1977.

Today Amanda Lear still looks amazing—she’s practically ageless no matter what her real biological… age might be—and continues to perform all over Europe. She’s sold somewhere in the vicinity of fifteen million albums and 25 million singles. She also has a thriving career as a painter and an original painting of hers can sell for $10,000 or more. She’s done stage acting and was the voice of Edna ‘E’ Mode in the Italian-dubbed version of The Incredibles. Lear was a judge on the Italian version of Dancing with the Stars.

“The Stud” from 1979’s ‘Sweet Revenge’ album

FROM OUR PARTNERS AT VICE

Modeling in the 60s with Patti Boyd Harrison and Karianne Muller (later a Roxy Music cover girl herself) in ‘Der Kommissar’:

Her big hit “Follow Me” on German TV’s ‘Musikladen’:

Another performance of “Follow Me,” this time on Dutch TV’s ‘TopPop’ program:

“I am a Photograph” live in 1982:

“I am a Photograph” music video:

“Queen of Chinatown”:

“Alphabet”:

“Blood and Honey”:

Amanda Lear in her first TV commercial appearance, circa 1967, for Révillon’s Detchema fragrance. The music is by cult figure French soundtrack composer, François de Roubaix: